Author Archives: sdgibson
2250 Donald Barthelme’s “Not-knowing”
How much do you need to plan a short story before you begin writing it? Consider Donald Barthelme’s essay “Not-knowing.”
2250 Margot Livesey’s “How to Tell a True Story”
We’ve been talking about autobiography and fiction in class. Charles Baxter and Peter Turchi’s Bringing the Devil to His Knees includes Margot Livesey’s essay, which is closely related to our conversation.
Starting fiction
From David Starkey’s excellent Creative Writing, these are some strategies for starting a story.
2250 Figurative language and extended metaphors
First, from David Starkey’s Creative Writing, I.A. Richards coined the terms tenor for the subject to which a metaphor is applied and vehicle for the metaphoric term itself. If we say, to borrow an example from Aristotle’s Rhetoric, that a warrior was … Continue reading
2250 Formal poems
Here are suggestions on starting and examples of villanelles, prose poems, ghazals, pantoums, and the sestina.
2250 Toward iambic pentameter
From Patrick Gillespie’s “PoemShape” site, consider how he moves from a prose paragraph and works it into iambic pentameter lines. Gillespie’s lines are in italics; Plutarch’s aren’t. Here are the prose paragraphs he starts with: Therefore when she was sent unto … Continue reading
2250 The Line
In a small group, answer these questions. Email me the result. One email per group, with a list of group members. Which meter is “the norm,” according to Oliver? What might other line length convey to readers? Do stanzas need … Continue reading
Replying to alternative solutions: five examples
Three by students: In contrast, there are other proposed solutions aimed at reducing recidivism. Recent Princeton MPA graduate and government consultant Daniel Edelman writes in the Stanford Social Innovation Review that, “By addressing head-on the financial troubles of people leaving … Continue reading
Self-analyzing
From James N. Frey’s How to Write a Damn Good Novel, here are some suggestions for critiquing your own work.