Category Archives: Writing tools

Openings

From Elizabeth George’s Write Away: “You can begin the story just before the beginning; you can begin it right at the beginning; or you can begin it after the beginning” (65). What are some other ways to start? How is it … Continue reading

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Fish and sentences

Let’s look at a few pages from Stanley Fish’s How to Write a Sentence.

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Outrunning the Critic

From The 3AM Epiphany by Brian Kiteley, this exercise is called “Outrunning the Critic.” I’ve summarized it here: Write one hundred short sentences about a character in a piece of your fiction. Don’t lift your fingers from your keyboard for all one hundred … Continue reading

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Global revision

This is an example of global revision as the result of adding material.

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Characterization and global revision

From Brian Kiteley’s excellent book The 3A.M. Epiphany, you’ll find this exercise useful.

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English 4420 and characterization

Based on what you know so far, address these questions: How do your characters act in the face of opposition/desires that contrast with their own? Do they plan, try to persuade, seek to escape, take physical action, for example? Describe … Continue reading

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Continuing toward characterization: Setting

I found this exercise useful when trying to create characters. From Alice LaPlante’s Method and Madness, here is the PDF.

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Cinderella, conflict, and connection

Look at this view of Cinderella, from Janet Burroway’s Writing Fiction. Consider also these contrasting views of conflict and connection when plotting/characterizing, which are also from Burroway’s book.

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Other commandments/conventions

“So it’s always critical to keep in mind that there are no rules in fiction, only conventions that have been built up over the years based on the way that writers have crafted their stories. (A convention is ‘an established … Continue reading

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Football haiku and editorializing

These football haiku may be dated, but here they are. Here are some examples of excessive editorializing. Remember, “The artist seeks out the luminous detail and presents it. He does not comment.” –Ezra Pound

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